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Clubs Directory
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Bovine Sex Club
(542 Queen W)
Dance Cave
(592 Bloor W)
Reverb/Kathedral
(651 Queen W)
Savage Garden
(550 Queen W)
the Vatikan
(1032 Queen W)
Velvet Underground
(510 Queen W)
Funhaus
(526 Queen St. W.)

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live venues
El Mocambo
(464 Spadina)
Lee's Palace
(529 Bloor W)
The Opera House
(735 Queen E)
The Rivoli
(332 Queen W)
Rockit
120 Church St.
Kool Haus
(132 Queens Quay E)
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Adventures in Gothic Clubland

This monthly column will talk about the experiences of one goth girl in the goth clubs and events in Toronto. It's an amusing and light-hearted look at the people, the places and the events that transpire in a night out on Queen West.


About the author:
Darq Angel has been living in Toronto for 15 years. An avid reader, writer, club-goer, and music lover, she has been a lurker in Toronto's gothic scene, floating around quietly, casting her dark shadow over various clubs and events in the city.

Now spreading her wings into the Toronto-Goth.com community, Darq Angel will be documenting her experiences in the gothic club scene in Toronto and other cities where she may travel.


email Darq Angel

>> index of all the "Adventures in Gothic Clubland" columns

Note: the opinions reflected in these columns are those of the author and do not necessarily reflect those of toronto-goth.com



September 2005: The Art of Darkness in High Fashion

Gothic clothing is without a doubt one of the most intriguing elements in our scene. And the people in it, more often than not, have a unique sense of style—dark and sensual, sometimes daring, always alluring. Goth is a pleasure for all the senses. The clothing itself is a feast for the eyes and luscious to the touch. From the luxury of velvet, to the coolness of PVC, we love to dress up and wear things that both look and feel gorgeous.

The effort we put into our ensembles is not so much narcissistic as it is self-expression and taking pride in our look. Our sub-culture is the last vestige of the days of yore, when dressing up to go out was a must. Like the Victorian era when men wore hats and ascots, and the ladies wore lace blouses and velvet cloaks, we take care in dressing up for dancing at Savage or a spanking at the Funhaus Fetish Night.

But our style of dress, as with so many things in our scene, tends to garner stares and snickers from ignorant (read: mainstream) people. Frankly, I don’t care. I love my clothes and my style. It’s far superior to the rag-tag mini skirts, baggy hip hop pants and the (GASP!) flip-flops you see in much of the city.

These people mock us. But here’s the irony: Goth is the inspiration behind the fall and winter collections of major fashion designers. They have taken nearly every style of gothic dress—Victorian, romantic, vamp, lolita, and military—and transformed it into couture. Examples:

Chanel and Dolce & Gabbana went romantic with lace blouses, corsets and chokers. Alberta Ferretti and Jean-Paul Gauthier took inspiration from the Victorian era with high collars, tight bodices and long flowing skirts. The house of Gucci was all vamp with tight leather and PVC mini-skirts, fishnets, and glossy knee-high boots. And Marc Jacobs went for the innocent Gothic Lolita look. To fend off the nasty winter chill, designers made long winter frock coats, capes and military-inspired jackets, complete with brass buttons and adorned cuffs. (Oooo I can hear the delighted squeal of one friend who salivates at the sight of a girl in military chic.) All of these clothes created from rich fabrics- silk, satin, lace and velvet, in dark purple, blue, burgundy and of course black.

And what completes these hauntingly sexy looks? Why deftly applied black eyeliner of course. That’s right my spooky pets, even makeup on fashion runways has gone Goth. Cat-like eyes, full lashes, dramatic shadow, all on a pale canvas, topped with berry-coloured lips, like cherries in the snow. One of fashion’s most famous make-up artists, Tom Pecheux, proclaimed Goth as his inspiration, painting the girls as dark vixens for all the shows in which he participated. The New York Times Style magazine, one of the most fashion-forward publications, is full of Gothic looks, even introducing one of their fashion spreads like this: “There is enough black this season to rival a Rammstein concert.”

This isn’t the first time high fashion has turned Goth. Spring 2003 was filled with corsets, Wednesday Addams dresses, and so many crosses the Vatican was jealous. So does this mean that Goth has hit the mainstream? In the fashion world, yes. But who can blame all those designers? We are part of a beautiful genre, with distinct style.

The feeling about high-end designers going Goth is mixed. Some people are perplexed: if so many people make fun of the Gothic look, why is it suddenly in Vogue and Elle? Others are angered that the sub-culture is being popularized. Most shrug it off as a passing fad. Some are complimented by it. I, for one, take it as a compliment. These fashion giants create high-end clothes worth hundreds and thousands of dollars. They are considered by most of society to be the highest echelon of trendsetters, they dress the richest of the rich, and influence the looks of the not-so-rich and famous.

And these designers are turning to US for inspiration.

But no matter how you feel about it, the bottom line is that fashion and style are two completely different entities. And when Goth finally leaves the runways of Paris, Milan and New York, and the hoards jump on the next fashion must-have look, WE will still be the stylish ones. The beautiful ones.

posted Septenber 13 2005


 

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